tag:blogger.com,1999:blog-13394488656006716412024-02-18T18:38:12.798-08:00Record Shop Addiction: Music Reviews + from a music junkieCovering music: reviewing music from the astonishing to the astonishingly bad, interviews with hot and upcoming bands and of course various ramblings from a music lover. Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.comBlogger18125tag:blogger.com,1999:blog-1339448865600671641.post-56830890683721470352014-03-26T01:08:00.000-07:002014-03-26T01:08:15.571-07:00Lacuna Coil "Broken Crown Halo" Review <div class="MsoNormal">
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If you’re an existing fan of Lacuna Coil you know how each album is its own creature. There’s a musical diversity with their discography that can appeal to a lot of listeners while there’s that element that cannot be placed in a genre because it is simply the soul of the band itself. With their seventh release in their twenty year run I wasn't sure what to expect. With ‘Dark Adrenaline’ the band went darker, harder and in my personal opinion set the bar incredibly high for themselves. They created an album that was a testament to their past as well as what could be.<o:p></o:p></div>
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‘Broken Crown Halo’ surges past any expectations I could have even dreamed of and takes the band to a whole new level. The opening track and personal testament of the band “Nothing Stands in Our Way” begins with Andrea’s long absent harsh vocals in that in one word kick off the song. It’s a kick-your-teeth-in refusal to bow down to life’s problems ode and a hell of a way to open an album. It’s also amazing to hear performed live (so hop to it and get tickets if they’re in your area)!<o:p></o:p></div>
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What follows up next is “Zombies” which is absolutely relentless. Andrea is an unstoppable force with some of the tightest work he’s ever done with clean and harsh vocals. Cristina sounds epic with a solid chorus and the guitar solo is pretty killer as well. It’s a song that’s very connected into our way of life, where society is at and where our place is found in this day and age.<o:p></o:p></div>
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‘Hostages to the Light’ takes thing down a little bit and has a very cinematic vibe and presence to it that foreshadows hope in uncertainty. There’s a very ‘Comalies’ like style to the song that really catches me. I swear ‘Victims’ could be something a modern day Paradise Lost came up with. It measures how chaotic things in our present day are and paints a picture of a darkening world. There’s a line of rebellion against what the world around is turning people into. Andi’s vocal opening of the chorus “we will not stand in line victims that that fall in vein” is full of some serious defiance.<o:p></o:p></div>
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Much could be said about ‘Die & Rise’ and all of it in praise of the song. It seems much influenced by a horror movie theme and packs quite the punch. Cristina’s rocking some of their native Italian in the bridge too which in my book is always a huge plus. They performed the song live at both the Hottest Chicks in Hard Rock Tour shows I attended and it was just killer! “I Forgive (But I Won’t Forget Your Name)” is very much a confrontation of someone who’s caused some serious hurt. One thing I have to say about this whole album is that it’s so emotionally raw. The members of the band have clearly been through some serious rough patches to come out with something like this. It’s beautiful, painful, honest and quite phenomenal.<o:p></o:p></div>
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‘Cybersleep’ caught me completely off guard. I remember reading the track listing when it was first released and raising an eyebrow. The song is something very unique and takes the listener on a journey through something totally new, dramatic and cinematic. There’s some vocal distortion in song that just adds just the right tweak to bookend the song from start to finish.<o:p></o:p></div>
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“We’re falling down into a grave when all the trust has gone away. Now take this life and pull the trigger, stop my pain” is just a sliver of the lyrics to the song that paint the darkness of “Infection” on the wall for all to see. “I Burn in You” opens with something that has almost an Asian movie zen garden flavor to it. It’s got some great vocal work from both Cristina and Andi both and climbs above the horizon into something pretty amazing. It’s the perfect blend of the ‘Unleashed Memories’ era and the ‘Dark Adrenaline’’ sound. It’s one of my personal favorites on the album and I’m really hoping we get a music video out of it.</div>
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Following up is another personal favorite ‘In the End I Feel Alive.’ It opens with this almost annoying sound and then blossoms into something extreme. It’s a crash, burn and rise kind of song that’s laced and nicely layered with some serious keyboard and bass work.<o:p></o:p></div>
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Sadly, I've reached the album finale with ‘One Cold Day.’ It’s a slow piece that once again reminds me of the beginning albums that launched Lacuna Coil into where they are today. Cristina’s vocals are beautiful and the song really puts her up front and center. It’s a fine closing to such a fantastic album.<o:p></o:p></div>
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Without a doubt, ‘Broken Crown Halo’ takes us to the darkest place Lacuna Coil has journeyed. There are old and new elements that connect with us die-hard fans as well as something that’s sure to create a whole new web to catch a whole new spectrum of listeners. The band’s very much put an angry, emotional and personal album out there full of some of the most intense work they've ever created. It’s by far in my personal opinion the best work the band has done to date and I cannot wait to see them perform more of these songs live!<o:p></o:p></div>
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<o:p></o:p>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-19071296440605299652013-08-13T13:10:00.002-07:002013-08-13T21:15:57.225-07:00Chelsea Wolfe "Pain is Beauty" album review <div class="separator" style="clear: both; text-align: center;">
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<i> Pain is Beauty</i> is another testament to the talent of singer/songwriter Chelsea Wolfe's limitless potential. With her fourth official release listeners are given bits of last year’s Unknown Rooms,
mixed in with pieces of 2011’s <i>Apokolypsis</i> with more unique and raw sound integrated into the cauldron to make quite the interesting brew of music. <br />
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The album opens up with "Feral Love" to which the title fits the song perfectly.Wolfe's voice has this beautiful yet ominous feel to it that is both addicting and almost unsettling. There's this almost primitive constriction with the repetitive that drives the song into the listener's head. Accompanying the almost <span class="st">macabre</span> feel are the laced in synth and sound distortions; tweaked just right to give the song a truly unusual and powerful feel. <br />
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"We Hit a Wall" is something in the vein of "Moses" from <i>Apokolypsis. </i>It<i> </i>is expansive in its sound with a bass cord that sticks with a particular flavor while drums echo in.There's also some string sounds hiding in the mix The vocals have this particular sound like they could have been recorded in an asylum room with a high ceiling, and though are a lighter feeling sound than the previous song still have a particular weight to them. <i></i><br />
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"House of Metal" has a particular tune to it as you work past the intro. The music sans vocals paints a picture of a worn down circus that has this edge of caution about it. Changing things up,“The Warden” is a lighter track with an electronica style to it. “Destruction Makes The World Burn Brighter” seems like it could feel at home in an 60s setting. Think Woodstock love through an apocalyptic filter.<br />
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"Sick" builds a <span class="st">dyscrasian sound castle in your head that seems to bend the equilibrium of reality around everything. </span>"Kings" has this droning note that builds through the song's progression. It's layered and like the tide to the shore changes with every wave of sound that comes gliding in."Reins" glides in on a chilly hushed note and again brings that very ebb and flow balance until a minute and a half into the song. From there the beat picks up and has this almost sense of panic to it.The overlaying and underlying vocals mesh to perfection while the guitar builds towards a conclusion. "Lone" begins as this acoustic airily vocal piece that winds up to a thicker corded sound. It's short at just over two and a half minutes but surly fantastic and in my opinion is the perfect ending of a fantastic record. <br />
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<i>Beauty is Pain</i> is a twelve song masterpiece carved into the silence. Wolfe's hazy vocals, uncompromising talent and musical experimentation are at their very best to date here. It's the kind of album that will not sink in with a single listen due to its depth and creativity and should be savored many times. It's beautiful, haunting and extremely powerful; there's no question that Chelsea Wolfe isn't afraid to think outside of the musical box. If you want music with the impact of a great novel this is where to find it. <br />
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<br />Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-80444278742529577012012-08-04T19:29:00.000-07:002012-08-04T19:29:15.887-07:00In This Moment - "Blood"<br />
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In This Moment returns with their fourth full-length offering,
titled “Blood.” After hitting the scene especially hard with their debut in 2007 the band has rocked
the music world an album at a time; each album a new progression. They began with the primal sounding “Beautiful Tragedy” and evolved into the hard yet almost at times ethereal “The Dream.” The next step
(and one of my favorite albums of all time) is 2010’s “A Star-Crossed
Wasteland,” an album that had a hard bite and some serious depth to it. It’s no
surprise that “Blood” is something different for the band, bringing with it
more of a metal groove on most of the tracks then that extra harsh metalcore
sound usually associated with most of the band’s work. </div>
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The album creeps in with like a fog swallowing up a carnival
at midnight with the short introductory track “Rise With Me.” Maria
sounds haunting and will give you goose bumps while leading you into the dark. Following
up is the album’s first single “Blood,” one of the hardest song son the album
and surely the catchiest. <span style="mso-spacerun: yes;"> </span>It has this
element of industrial to it and some distortion with the chorus that adds just
the right edge. <span style="mso-spacerun: yes;"> </span>If you haven’t checked
out the music video I suggest you get with the program and check it out! </div>
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<span style="mso-spacerun: yes;"> </span>“Adrenalize” has to
be my personal favorite track on the album. Maria’s ethereal opening line of “come
a little bit closer” coaxes the listener into the first verse and keeps you
there until the chorus attacks with a fighting beat to it that demands
attention. <span style="mso-spacerun: yes;"> </span>Next up is “Whore” which is
this strange metalcore-popish track that screams radio friendly single. </div>
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<span style="mso-spacerun: yes;"> </span>“Scarlet” is another
stand out track that pleases the ears and containing a mellower flavor. It’s a
masterpiece that has this tragic love and hate star-crossed feeling to it. <span style="mso-spacerun: yes;"> </span></div>
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“Comanche” is an all on assault with Maria screaming “Come
on, get up, let me hear your war cry!” There’s some serious firepower in the song
and it hits with the gentleness of a sledgehammer. </div>
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All in all the record is strong and a good testament to In
This Moment’s abilities. <span style="mso-spacerun: yes;"> </span>They’ve shown
that there is no fear of experimentation and progression. “Blood” isn’t another
replica of their past albums but something of a hybrid with new flavors to try.
The musicianship from founding member and lead guitarist Chris and new members
Travis (bass), Tom (drums) and Randy (rhythm guitar) is outstanding and the
great quality we’ve come to expect from the band. Do yourselves a favor and go to
your local independent record store and pick this album up on August 14<sup>th</sup>.
It’s well worth the money and one hell of a ride!</div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-51104411159797157492012-01-26T19:49:00.000-08:002012-01-26T19:49:33.965-08:00Interview with Miri Milman from System Divide<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>HE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> <w:UseFELayout/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;">My interview with the lovely Miri Milman from the metal band System Divide! ()_o \m/</span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;"><br />
<span style="background: white;">Ty: What was it like growing up in Israel?<span class="apple-converted-space"> </span></span></span></div><div class="MsoNormal"><b><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;">Miri: Growing up here was great although when you are a kid you don’t really know life outside of your home. I did experience a war as a kid (the Gulf War) but rather than that I pretty much had a normal life here. I started doing music at a very early age so that’s basically what I did my whole life… </span></b><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;"><br />
<br />
<span style="background: white;">Ty: Speaking of your homeland, do people recognize you as a musician or do you have a certain degree of anonymity?<br />
<b><br />
Miri: I think it all depends on what you intend on doing as a musician, if you try to get a job in the opera house or play in a band for a tv program or so then they will be surely asking for a degree because they hire people who truly know music and do it for a living. As for me, I don’t have a musical degree but I did study a few years of vocal training with several teachers and I had a few years of piano studies. I would have loved to have a musical degree but honestly I just don’t have the time to go to school and combine it with my touring life and family life.<br />
</b></span><br />
<span style="background: white;">Ty:Music projects both past and present that you've done have inspired people. Are there any bands that you especially enjoy or that inspire you and stimulate your creativity?</span></span></div><div class="MsoNormal"><b><span style="background: white; color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;">Miri: Through the years I got to know a lot of different bands, artists and musical genres and some of them truly influenced me</span></b><b><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;"> as a person and as a musician. <br />
Every period of time some other band/artist influenced me differently, depending on my mood of course. I think the main artists that engraved their signature in my soul were:<br />
(in a chronological order)<br />
Danny Elfman (the composer of Edward Scissorhands the movie) for his amazing creations in the movie that taught me how beautiful melody can take you other places in your head and stays with you forever. Beethoven for teaching me that music is timeless. James Hetfield because of his outstanding energy on stage I got into Metal music. Anneke Van Giersbergen (The Gathering) inspired me to sing in Metal bands and that metal is not only for men.<br />
Christina Scabia (Lacuna Coil) inspired me that a woman can be beautiful but still kick ass on stage. Dolce Pontes<u> </u>- a Portuguese artist that inspired me the most and I never imagined that one can control all the vocals techniques in the world and makes it sound so easy!<br />
Opeth for teaching me that Metal music doesn’t have to follow only one genre.<br />
Beyonce – perhaps one of the few people that actually deserve all the fame and prize winning, she is without a doubt a gifted human being. <br style="mso-special-character: line-break;" /> <br style="mso-special-character: line-break;" /> </span></b><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;"></span></div><div class="MsoNormal"><span style="background: white; color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;">Ty: Your song "More than a Memory" is fantastic! Any chance you'll be putting out more solo stuff in the near future?</span><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;"><br />
<b>Miri: Well thank you very much sir! I’m actually working on a solo project these days, I still don’t know how it will sound like or what direction I will chose but I’m really digging out a lot from the darkest corners of my soul and putting together a very personal project that will discuss some private issues of my life.<span style="mso-spacerun: yes;"> </span><br />
</b><br />
<span style="background: white;">Ty: And speaking of new material, I hear System Divide's working on some ideas. How's that going?<br />
</span><br />
<b>Miri: We’re actually working on a new album as well these days, we got some solid ideas so far but we rather take our time and put out something that we will be absolutely complete with. </b></span></div><div class="MsoNormal"><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;"><br />
<span style="background: white;">Ty: Working with your husband, does the writing and creativity process bring you guys closer together?</span></span></div><div class="MsoNormal"><b><span style="background: white; color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;">Miri: Hahaha, tricky question! Working with your partner is mostly a great thing, you get to share something you love doing with a person you love but again it depends on the current mood, some days things go smooth and we really enjoy it when our ideas flow together and some other days we have some conflicts but only because we’re very passionate with the ideas we have and we both try to voices our opinions, I think it’s normal just like every other issue we deal with </span></b><b><span style="background: white; color: #333333; font-family: Wingdings; font-size: 10.0pt; line-height: 115%; mso-ascii-font-family: Tahoma; mso-bidi-font-family: Tahoma; mso-char-type: symbol; mso-hansi-font-family: Tahoma; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">J</span></span></b><b><span style="background: white; color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;"> <span style="mso-spacerun: yes;"> </span></span></b></div><div class="MsoNormal"><span style="background: white; color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;">Ty: I really respect that you rely solely on your talent rather then run around half naked trying to sell yourself instead of the music. What advice would you give to others just starting in the music industry as far as image goes?<br />
<br />
<b>Miri: Thanks a lot, I grew up with an actual love for music and performing and I'm also kind of an old fashion type of gal, I don't feel comfortable or think it's necessary to get naked in order to make people listen to you. If you have a talent if you truly have the voice just use it and people will listen, there are still a lot of people out there that appreciate artists for their talent and not only for their good body features. It's true that a lot of people nowadays buy music with their eyes and not with their ears but this is just another phase of the music evolution. <br />
My personal advice is just BE YOURSELF! Don’t try to imitate other artists, don’t do something that you’re not comfortable with, just go with what feels right for you!</b> </span><span style="color: #333333; font-family: "Tahoma","sans-serif"; font-size: 10.0pt; line-height: 115%;"><br />
<br />
<span style="background: white;">Ty: One more and I'll leave you be.<span class="apple-converted-space"> </span>What are some of the pros and cons of working with all guys in System Divide?<br />
<br />
<b>Miri: The pros would be definitely the chance of working with professional musicians who breathe music their entire lives, also the privilege of doing music with my husband - that is the greatest pro for me!<br />
The main con will be the distance, not be able to meet the band practice, having single shows or even just to hang out whenever we feel like, Every move we make cost a lot of money so we only meet them just before we go on tour then we have a few days of practice and off we go!</b></span></span></div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-88293502548835324102012-01-24T15:56:00.000-08:002012-01-24T15:56:07.582-08:00Lacuna Coil - "Dark Adrenaline"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Italian gothic metalers Lacuna Coil return with their sixth full-length album, “Dark Adrenaline.” The band promised something new and harder then previous releases and has indeed kept to their word. Having been a fan of the band since their 1998 release “In a Reverie,” I always wait with high anticipation for anything the Italian grown band puts out. True to form each album is a new definition of who they are and this is no different. The songs are for the majority harder and more in your face then previous releases. Dual vocalists Cristina Scabbia and Andrea Ferro play off one another extremely well, never missing a beat. There’s great musicianship and some awesome riffs and solos that add an extra boost of octane.<span style="mso-spacerun: yes;"> </span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>This is one of those albums where if I could I would go on about for hours, it’s just that well done. This hour finds me especially favoring “My Spirit;” a darker and slower paced track that’s infused with new sound as well as a taste of their old style found on the album “Unleashed Memories.” Happily I can inform you it includes lyrics in their native tongue. The faster paced “I Don’t Believe in Tomorrow” lyrically gives the listener the impression of a breach of trust. Andi’s chorus sounds fantastic and adds a powerful blow with “I want to say it now, cuz I don’t believe in tomorrow. This storm is raging now, because I lost my faith in you.” </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>The beautiful siren that is Cristina explores a new side to how she handles vocals in “Intoxicated.” The verses have her drawing out the lyrics and it really adds a lot of depth to the song.<span style="mso-spacerun: yes;"> </span>‘Soul Inmate” is a well-woven together piece that has plenty of their history as well as their present sound woven into it. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Having proven that they can take one of the best songs out there and add their spin on it with Depeche Mode’s “Enjoy the Silence” the band chose to do another cover. They’ve added their unique style to R.E.M.’s “Losing My Religion.” Cristina handles the verses like a pro and the emotion in her voice is really something.. Andi covers the chorus and sounds phenomenal. It’s amazing how so many bands can cover this song and leave it dead in the water, but this goes right up there with the original for me.</div><div class="MsoNormal"><br />
</div><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><span style="mso-spacerun: yes;"> </span>Fans of older material the band recorded will find “Dark Adrenaline” a harder form than their previous releases. There are a few songs with some of the rock flavoring, but as a whole it is a metal album. It may very well catch up with their (as well as their label’s) best selling “Comalies” in due time.<span style="mso-spacerun: yes;"> </span>Lacuna Coil is back my friends, and harder then ever! Be sure to catch them on the GiganTour with Megadeath early 2</span>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-60790599406651619212012-01-24T15:50:00.000-08:002012-01-24T15:50:20.575-08:00Anneke van Giersbergen - "Everything is Changing"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:RelyOnVML/> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-bidi-font-weight: bold;"><span style="mso-spacerun: yes;"> </span>Anneke van Giersbergen, the former lead singer of the Dutch progressive/alternative rock band The Gathering puts forth a wonderful solo album with “Everything is Changing.” Infusing her warm vocal styling with mostly upbeat rock sound and electronica, Anneke provides expansion to her sound. <span style="mso-spacerun: yes;"> </span>There’s a clear progression from her musical melancholy roots and it really plays to her strengths. </span></div><div class="MsoNormal"><span style="mso-bidi-font-weight: bold;"><span style="mso-spacerun: yes;"> </span>Opening the album is “Feel Alive,” a track that could easily fall into the pop genre. It’s upbeat and infections with its high tempo beat and piano work entwined with Anneke’s beautiful voice. “Take Me Home is more of a rock song opens with a piano and then leaps into faster paced vocals with a little bit of an electronic whine to give the song a boost. <span style="mso-spacerun: yes;"> </span>It has all the elements to be a single off of the album and the energy to be a radio hit. With more of a darker rock melody to it is “Hope, Pray, Dance, Play.” It’s got some more aggressive guitar then the rest of the album that really adds an under layer of strength.<span style="mso-spacerun: yes;"> </span>“Hope for me, pray for me one day I’ll be fine Dance with me, play with me I’ll never fall behind” offers up a steady chorus that adds to the meat of the song. </span></div><div class="MsoNormal"><span style="mso-bidi-font-weight: bold;"><span style="mso-spacerun: yes;"> </span>“Everything is Changing” easily defies a single genre classification with its many diverse songs. It is in my opinion one of her best pieces of work and well worth looking into. The album proves easily that she can stand alone and make great music!</span></div><div class="MsoNormal"><br />
</div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-10053856537844781292012-01-24T15:47:00.001-08:002012-01-24T15:47:32.699-08:00Ani DiFranco - “¿Which Side Are You On?”<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Singer/songwriter Ani DiFranco’s first studio album in more than three years “<em><span style="font-family: "Calibri","sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">¿</span></em><em><span style="font-family: "Calibri","sans-serif"; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-style: italic; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">Which Side Are You On?” is here. <span style="mso-spacerun: yes;"> </span>Known for her music as well as her poetry and feminist activism, Difranco has always been outspoken.<span style="mso-spacerun: yes;"> </span>Her contemporary folk style is ever evolving and her career, spanning over twenty years long seems to be unstoppable. </span></em><span style="mso-spacerun: yes;"> </span>The album takes a snapshot of DiFranco’s experiences as well as captures her clearly stated opinions of where the country stands politically. It leans far to the left, which might make some look the other way</div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Title track “<em><span style="font-family: "Calibri","sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">¿</span></em><em><span style="font-family: "Calibri","sans-serif"; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-style: italic; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;">Which Side Are You On?” has a steady marching beat with horns and vocals lending their support to the political left, as well as the current Occupy Movement. With a line </span></em>''come on people of privilege... it's time to join the fight” she’s clearly reaching out and trying to make a statement. "Promiscuity" is a witty wordplay piece that shows her colorful adventures as a folk singer. “J” is well put together with sturdy strumming guitar and loops.<span style="mso-spacerun: yes;"> </span>“Hearse” paints imagery with poetry of the happy time progressive life of a couple all the way to death and beyond. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Chalk full of funky folk and contemporary rock the album is good effort.<span style="mso-spacerun: yes;"> </span>However it does perhaps leave something to be desired in comparison to her previous works. <span style="mso-spacerun: yes;"> </span>If you get past the over political tones of the album or lean to the far left you’ll have an appreciation for the album. If you dive deep into the right side of the fence then perhaps this isn’t for you. </div> Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-46315865776798363112012-01-24T15:44:00.005-08:002012-01-24T15:44:51.826-08:00Ceterum - "Fathom"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Coming out swinging with their debut album, “Fathom” is Ceterum. These guys have fantastic progressive hard rock sound that to me seems honed. They easily work the fabric of sound with mild to heavy rhythmic guitar progressions, steady and well-placed percussion work and then the outstanding voice of Ty Jividen. The band’s influences from metal veterans Tool can be heard at times, while not taking away from the originality of the band. </div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>From the opening song “The Architect” a path is carved like water through dirt and rock, turning a plane into a canyon. It’s almost restrained at first, but then blooms into something that lets loose. Jividen’s vocals are harmoniously instep with the music and change up from holding to short breathed notes. “Paramnesia” is progressive and shows off layers of melody and long vocal notes, merging into new beats but at the same time holding its consistency.<span style="mso-spacerun: yes;"> </span>The tile track “Fathom” has more of a hard rock beat and less of an experimental beat to it. It maintains the high caliber sound of the band while coming off as something that would do well as a single. It includes some screams that rather than taking away from the song, add to it. “End Transmission” is this hauntingly beautiful musical piece that will make the hair on the back of your neck stand up. It serves as sort of an intro piece to “Aurelia” which is a labyrinth of sound and melody. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>It’s a rare CD that takes several plays just to even comprehend the greatness of it and for certain “Fathom” fits that bill. It’s difficult to single out one song over another because every song is an individual work of art. This is one album that needs to be experienced this year for certain. It’s rare a band captivates the listener with this level of intensity. </div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-15195843112076265272012-01-24T15:44:00.001-08:002012-01-24T15:44:01.963-08:00Skrillex - "Bangarang EP"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-bidi-font-weight: bold;"><span style="mso-spacerun: yes;"> </span>Skrillex follows the collaboration on KoRn’s latest album with his third EP of dubstep material goodness. The seven tracks of “Bangarang EP” have the feel of earlier Crystal Method only with the dubstep drive to it instead of a techno beat.<span style="mso-spacerun: yes;"> </span>After winning MTV’s number one Electronic Dance Music artist of the year over big names like David Guetta and Deadmau5</span> and<span style="mso-bidi-font-weight: bold;"> being nominated for five Grammys, Sonny John Moore shows no signs of stopping his thus far successful solo career. </span></div><div class="MsoNormal"><span style="mso-bidi-font-weight: bold;"><span style="mso-spacerun: yes;"> </span></span>Title track “Bangarang” shows off a more glitch sounding side akin to the work done on the previous album “Scary Monsters and Nice Sprites.” <span style="mso-spacerun: yes;"> </span>Its chalk full of electronic high distorted voices, reparative sound clips from Sirah, a mellowed down break and screaming sirens. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>A sure surprise on the album is a collaboration with The Doors on "Breakn' a Sweat.” The song has a slower bear and shows off a new side of Skrillex. No fast tempos found here, just unclouded emotion. While still maintaining a high energy the song is slower and has some pretty smooth layering. “Kyoto” has a hip hop sort of vibe to it that makes it a very club friendly track. Sirah is once again featured in this song and adds in some vocals and raps to the smooth yet insanity that is the piece. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>All in all the EP’s not too bad. It’s something I can listen to every so often and enjoy but not something I can spin nonstop without aggravation. There’s talent here indeed, but at times the over repetitiveness gets in the way and causes more harm than good.<span style="mso-spacerun: yes;"> </span>If you like dubstep, you’ll take to “Bangarang EP” like a fish to water. If you’re not I’d advise looking into the album more. </div> Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-41740979306842809042012-01-24T15:43:00.000-08:002012-01-24T15:43:01.577-08:00Lamb of God - "Resolution"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>The new wave of heavy metal is back! Band Lamb of God is storms gates and attacks hard with their seventh album “Resolution.” Present are the heavy guitars, hard vocals from the infamous Randy Blythe and unforgiving melodies of their usual work. There are no ballads or any pauses for relieving calm here, just the relentlessness of sound attacking the listener.<span style="mso-spacerun: yes;"> </span>If you want in your face, no prisoners taken aggressive heavy metal this is your band. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Wasting no time on any sort of intro here at all, the album tears its way into the listener’s ears with “Straight for the Sun.” It’s heavy with guitar and primal sounding screams, leading into a low lit vocal growl and a lower grungy beat that would fit well to a funeral march. The track is full of brutality and a touch depressive and easily has elements of a good doom metal song. <span style="mso-spacerun: yes;"> </span>“Ghost Walking” Opens with a twangy southern styled guitar sound that would fit well in one of those hillbilly attack movies like Wrong Turn and goes into a full on assault with wicked crunchy guitars and vicious vocal screams. “Cheated” has this main underlying guitar that is infectious and feeds the song with a high energy. It’s one of those songs that’s sure to please an audience live and be accompanied by a mosh pit.<span style="mso-spacerun: yes;"> </span>The last track on the album is “King Me.” It opens slowly in guitar and then on a gritty spoken vocal line. Accompanying this is female operatic vocals, all leading up to a full on orchestral attack. It has a balance that I’ve never really found in a Lamb of God song and is for certain my personal favorite. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>This album is anything but stagnant and hits with the force of a raging hurricane. <span style="mso-spacerun: yes;"> </span>I’m not a huge fan of the band, as I prefer something with a bit more of a melody to it, but “resolution” is good in its own right. If you were found wanting by their last album “Wrath,” this will more then make up for it!</div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-20807454062248309412012-01-04T23:19:00.000-08:002012-01-04T23:19:56.111-08:00Top 50 AlbumsDifficult list to make. SO many more I could list :D <br />
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<br />
50. Jewel - "Pieces of You"<br />
49. The XX - "XX"<br />
48. Deftones - "Saturday Night Wrist" <br />
47. Dead Can Dance - "Aeon"<br />
46. IAMX - "Volatile Times"<br />
45. End of You - "Unreal"<br />
44. Arch Enemy - "Anthems of Rebellion"<br />
43. Bat for Lashes - "Two Suns"<br />
42. Kidneythieves - "Trypr0fanatic"<br />
41. Sarah Brightman - "Eden" <br />
40. Lacuna Coil - "Unleashed Memories"<br />
39. Coco Rosie - "Grey Oceans"<br />
38. Pearl Jam - "Ten"<br />
37. Ours - "Mercy (Dancing for the Death of an Imaginary Enemy)"<br />
36. Azam Ali - "Elysium for the Brave"<br />
35. AFI - "Decemberunderground"<br />
34. VAST - "Nude"<br />
33. The Birthday Massacre - "Pins and Needles"<br />
32. The Agonist - "Lullabies for the Dormant Mind"<br />
31. PJ Harvey - "Let England Shake"<br />
30. Madonna - Ray of Light<br />
29. Delerium - "Karma"<br />
28. Flyleaf - 'Flyleaf"<br />
27, Jennifer Knapp - "Kansas"<br />
26. Collide - "Chasing the Ghost"<br />
25. HIM - "Dark Light"<br />
24. Kamelot - "Poetry for the Poisoned" <br />
23. Jack Johnson - "In Between Dreams"<br />
22. Tristania - "Rubicon"<br />
21. Alice in Chains - "Black Gives Way to Blue"<br />
19. No Doubt - "Tragic Kingdom"<br />
18. Linkin Park - "Hybrid Theory"<br />
17. In This Moment - "The Dream"<br />
A Perfect Circle - "Mer de Nomes"<br />
15. The Cure - "Bloodflowers"<br />
14. Lacuna Coil - "Karmacode"<br />
13. Ozzy Osbourne - "Down to Earth"<br />
11. System Divide - "The Conscious Sedation"<br />
10. Sarah Brightman - "Harem"<br />
9. Apocalyptica - "Cult"<br />
8. Nirvana - "Nevermind"<br />
7. Epica - "Design Your Universe"<br />
6. In This Moment - "A Star-Crossed Wasteland"<br />
5. KoRn - "Follow the Leader"<br />
4. Chelsea Wolfe - "Apocalypsis"<br />
3. Evanescence - "Evanescence"<br />
2. Apocalyptica - "7th Symphony"<br />
1. Lacuna Coil - "Comalies"Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-72988471107002282702011-12-16T03:01:00.000-08:002011-12-16T03:01:38.292-08:00My Top 25 Albums of 20111. Chelsea Wolfe - "Apocalypsis"<br />
2. Evanescence - "Evanescence"<br />
3. Nightwish - "Imaginaerum<i>"</i><br />
4. Arch Enemy - "Khaos Legions"<br />
5. PJ Harvey - "Let England Shake"<br />
6. IAMX - "Volatile Times"<br />
7. KoRn - "The Path of Totality"<br />
8. Disturbed - "The Lost Children"<br />
9. Florence and the Machine - "Ceremonials"<br />
10. Incubus - "If Not Now, When?"<br />
11. Omega Lithium - "Kinetik"<br />
12. The Birthday Massacre - "Imaginary Monsters"<br />
13. Collide- "Counting to Zero"<br />
14. Jimmy Gnecco - 'The Heart X Edition"<br />
15. Kidneythieves - "The Invisible Plan"<br />
16. Otep - "Atavist"<br />
17. Guano Apes - "Bel Air"<br />
18. Esben and the Witch - "Hexagons EP"<br />
19. Darren Hayes - "Secret Codes and Battleships<br />
20. Never Before - "Timeless"<br />
21. In Flames - "Sounds of a Playground Fading"<br />
22. Bush - "The Sea of Memories"<br />
23. Ben Moody - "You Can't Regret What You Don't Remember"<br />
24. Aqua -"Megalomania"<br />
25. Puscifer - "Conditions of My Parole"Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-88637655188833091332011-12-13T03:53:00.000-08:002011-12-13T03:53:30.818-08:00Don't be a Digital Deadhead!<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<h6><span class="messagebody"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-size: 7.5pt;"><span style="mso-spacerun: yes;"> </span>Everywhere one can find an advertisement for the newest phone to surf the web and watch movies on. Remember when a phone was to actually communicate and have a real vocal conversation? I know, what a crazy medieval thought! Recently I was at a local CD store in Cedar City, Utah and was having a great conversation with one of the owners. I watched someone come in and text the entire time they were in the store, never once looking up even when asking what artists say a particular song.<span style="mso-spacerun: yes;"> </span>Then to add insult to injury, once this guy had his answer he made the comment he’d just go home and download it. </span></span></h6><h6><span class="messagebody"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-size: 7.5pt;"><span style="mso-spacerun: yes;"> </span>What is becoming the norm is scary. We’re tossing aside such basic things because technology is becoming the in thing now. Everyone goes on about how their phones can tell you where to go and what to wear. We’re becoming slaves to digital while companies like Apple monopolizes off Itunes, all the while slowly killing the music industry and small business, yet some of you cheer in the digital age as dreams are dying. </span></span></h6><h6><span class="messagebody"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-size: 7.5pt;"><span style="mso-spacerun: yes;"> </span>Generation to generation, first editions of books have been past down. Now instead of a wonderful hard backed book that will last forever if taken care of people are choosing a file. I cracked open a book yesterday and discovered it belonged to my late grandfather. Made me smile and remember all the good times of he and I reading together when I was a kid. Treasured memories</span></span><span class="textexposedhide"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-size: 7.5pt;"> like those </span></span><span class="textexposedshow"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-size: 7.5pt;">who owned books before us that have been passed down will become extinct because amazon thinks the kindle is where is at.</span></span><span class="messagebody"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-size: 7.5pt;"></span></span></h6><h6><span class="messagebody"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-size: 7.5pt;"><span style="mso-spacerun: yes;"> </span>I’m not saying that all digital ideas are unwise, but some truly are. For example, say you go into a local independently owned CD or bookstore, right? You buy a CD that you can get on Itunes for a whole dollar more then the digital price. You’ve got a physical thing that if taken care of can last forever; you’ve kept your money in the community, so in turn that will feed it. Go and buy a book, write something in it that means something, and give it to someone you love. Hold on to these things and remember that just because it’s faster, easier or vastly talked about doesn’t mean it’s good. In the end we need to remember that being a digital deadhead will only take us down a peg. Nothing can replace human conversation and the ability to actually hold our possessions in our hands. I encourage you all to think about it!</span></span></h6><h6><span style="font-size: 12.0pt; mso-bidi-font-size: 7.5pt;"> </span></h6><div class="MsoNormal"><br />
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<div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Symphonic Metal stars Nightwish are back on the scene with the intriguing “Imaginaerum.” The album is a concept album, telling the story of an old and dying composer reminiscing of his youth. The heart of Nightwish is still very present with their signature sound of symphonic metal. That said however, the band also journeys into new ground and does so quite fantastically. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>A fine example of this would be “Slow, Love, Slow.” Incorporating a lounge style, the song opens up on a piano and mellow, jazzy percussion. Anette Olzen’s voice glides in adding the perfect vibe to the song. It takes the listener into an old 1930’s club, with a smoky atmosphere, the band playing in suits and the woman in the red dress casting that perfect spell over all who hear her. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>“I Want My Tears Back” is another track that also shows off new elements, adding a Celtic sound into the mix with uilleann pipes. The song is very well arranged and catchy and is sure to be a favorite of fans</div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Matching with the new Celtic infused idea is the only ballad on the album, “Turn Loose the Mermaids.” The song opens with beautifully matched acoustic guitar and flute, which flow into beautiful vocal done solely by Anette. There’s also a spaghetti western accompaniment to the song with whistles and orchestra.<span style="mso-spacerun: yes;"> </span></div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Many fans jumped ship when original vocalist, the lovely lyric soprano Tarja Turunen parted ways with the band. A change in vocalists is always a make or break for a band, especially one with a history spanning fifteen years long.<span style="mso-spacerun: yes;"> </span>If you did now is a perfect time to climb back on board. Anette has stepped up her game and proven herself with her second album with Nightwish. The band has crafted something magical with the new album. “Imaginaerum” is a testament to the progression of songwriter Tuomas Holopainen and the evolution of the band itself.. It will captivate the imagination and make you fall in love with this band for the first time or all over again.<span style="mso-spacerun: yes;"> </span></div><div class="MsoNormal"><br />
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</div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-944715723093129242011-12-13T03:37:00.003-08:002011-12-13T03:37:44.354-08:00Nickelback "Here and Now"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Canadian rockers Nickelback return once again, bringing with them their usual method sound of rock with a few ballads. With their seventh release “Here and Now” the band proves one thing; they have a sound and they don’t feel any need to change it much at all. It is always the typical meat and potatoes rock. Their albums always go something like this: rock song about being a bad ass (this album’s version is “This Means War”; rock song about drinking (“Bottoms Up)”; pop rock song about how we all need to embrace everyone (‘When We Stand Together”), song about sex (“Gotta Get Me Some”; ballad (“Lullaby”) and so on and so forth. I’ll be the first to admit it; once upon a time I really liked the band. Then the radio stations discovered them and decided to play their singles into the ground. Since that happened the band decided to just keep on going with more of the same, because hey, it works for radio play right? It feels like the band literally has no progression and every album follows the same method. I think the band has potential somewhere, really I do. But if you’re looking for all new and amazing from Nickelback, don’t look here. “Here and Now” is another carbon copy of the band’s last few CDs using the same methods, lacking originality and doesn’t amount to much of anything at all sadly. </div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-41757154347655809552011-12-13T03:37:00.001-08:002011-12-13T03:37:00.552-08:00Nightrage "Insidious"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>If Arch Enemy and In Flames got together and had band offspring it would be Nightrage. Bursting out of the gates with their fifth album “Insidious” the band is still going strong. With a collision of heavy, dark riffs with soaring leads mixed with clean and harsh vocals, they’re sure to entertain. This is good, hard metal with a bite, not that overplayed generic trash you find on the mainstream radio. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>The album gets off to an excellent beginning, with the first five songs all being intense and well written. “Hate Turns Black” mixes great lead guitar playing with a memorable chorus while heavy riffs and wicked drums support the song and further drive it away from obscurity. The title track is totally primal with Tomas Lindberg’s vocals just reaching out and attacking the listener’s ears.</div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>The second half of the album is where things begin to dwindle down a bit and drag. The songs begin to almost fuse together, causing confusion as to when one song starts and when another ends. Don’t get me wrong, I like it but there really needs to be distinction between tracks. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>All in all I really enjoyed the album, “Insidious” is sure to catch the ear of metal heads and delight fans. There are no fluffy bunny alternative radio friendly songs here and the album sounds good and plays hard. It’s a nice change into high gear, which is something I’m down with. Be sure to not only pick up the cd, but to also catch the band on tour with Arsi and Firewind!</div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-2898399656998962332011-12-13T03:34:00.001-08:002011-12-13T03:34:51.682-08:00Nemesea "The Quiet Resistance"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Another “gothic metal band” from The Netherlands is Nemesea. Setting the dividing line between them and the rest of the sound the same band is a unique blend of alternative/modern rock, trip hop and some electronica elements. With their third release “The Quiet Resistance” they try to cross more genres, this time venturing into a more popish flavored rock. They almost come across as a mix of Evanescence and Paramore. Sometimes the newer style helps out the album and other times it is a hindrance and takes away from the potential of a song. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Opening the album with a whisper of<span style="mso-spacerun: yes;"> </span>"I dug this hole in the backyard, the quiet resistance"is the title track. It builds up with heavy guitar and a little industrial programming, and then just cuts off rather then leading into the next song. “Caught in the Middle” is one of the more metal song s on the album and flows pretty well. There’s a pause in the music which puts a heavy emphasis on Manda Ophuis’ voice really has a chance to show you just how talented she is. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>“Afterlife” follows in next, and as the album’s first single it is pretty decent. There’s a heavy emphasis to the pop alternative/modern rock and from here this trend begins to take hold of the album. “Stay With Me” contains more of the gutsy metal style sound that attracted me to the band.<span style="mso-spacerun: yes;"> </span>It reminds just how good they can be when they stick with what they know. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Honestly, the more you delve deeper into the album the more you find the metal sound has melted away almost entirely; turning the album into something that would make a top 40 hits list perhaps. Nemesea has lost some of the element that drew me in with previous albums, however the new album is sure to attract a new following. </div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0tag:blogger.com,1999:blog-1339448865600671641.post-26121032694182506362011-12-13T03:33:00.000-08:002011-12-13T03:33:14.916-08:00KoRn "The Path of Totality"<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> <w:DontFlipMirrorIndents/> <w:OverrideTableStyleHps/> </w:Compatibility> <m:mathPr> <m:mathFont m:val="Cambria Math"/> <m:brkBin m:val="before"/> <m:brkBinSub m:val="--"/> <m:smallFrac m:val="off"/> <m:dispDef/> <m:lMargin m:val="0"/> <m:rMargin m:val="0"/> <m:defJc m:val="centerGroup"/> <m:wrapIndent m:val="1440"/> <m:intLim m:val="subSup"/> <m:naryLim m:val="undOvr"/> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
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<div class="MsoNormal"><span class="articleseparator"> KoRn’s one of those bands that defined a generation. Their signature nu metal grooves and aggression are instantly recognizable and contagious. Just when you think they’ve got a signature sound down, they reinvent themselves. With their tenth album of material, </span><br />
"The Path Of Totality"<b> </b><span class="articleseparator">the band has taken a controversial step into dubstep and electronica.<span style="mso-spacerun: yes;"> </span>Enlisting the likes of </span>Skrillex, Kill the Noise and Excision the band has pushed into new ground but at the same time holding strong to their roots. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>The first single “Get Up!” has more then done its job in getting attention. Having held a top ten position on the charts since it debut this summer is a strong testament to the piece.<span style="mso-spacerun: yes;"> </span></div><div class="MsoNormal">Fans of the old school will be especially pleased with a few particular songs. “Bleeding Out” opens with piano then hypes into layered electronica. Also incorporated are the classic bagpipes we’ve come to know and love. “Tension” has a long and spook alley reminiscing opening that feeds into aggressive sounding vocals. A fine element of the past comes with Davis’ infamous beat boxing towards the end of the song.</div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Diving further into the depths of the new is “Burn the Obedient;” with help from Noisia the band has caught the edge of dubstep and thrown in some raps and deep aggressive vocals at times and you’ve got what would play well for another example of just how much this album has advanced the sound of the band. </div><div class="MsoNormal"><span style="mso-spacerun: yes;"> </span>I have to be honest, when I first heard of them experimenting with a new sound I was thinking another band was going to bite the big one. I was pleasantly surprised! KoRn proves they can still hold tight to their style and try something new as well. The album well proportioned and experimental; all in all a step in a very good direction from a band I’ve been a fan of for two decades! <span class="articleseparator"></span></div>Ruska Verihttp://www.blogger.com/profile/14113503891653495903noreply@blogger.com0